Follow Us

April 15, 2018

。讓花瓣的本質用筆觸和色温,表達出前後及轉彎。

色彩的逸出原理是 :   色彩多在微光下產生,也就是物件轉彎,或者是轉入畫布,這表示和背景的某一塊明度及彩度十分接近。 當逸出的色彩夠大時,物件形成立體的空間感愈強。

February 22, 2018

。用微小的暗面,高彩度的色彩,創造前後微空間。  局部的厚塗和一級的色彩,讓光的錯覺擊中後面的鳯梨,並形成光暈。

。物件的同比例放大,使得色塊也相對變大,張力變強,放大的主因是為了 : 交界的延續,讓整個畫布空間完整的使用。

February 18, 2018

。照片取景,用交界來分析,可以容易了解色塊和色塊,從大到小,從物件到背景的變化,也容易找出主要的色彩,並在尚未動筆之前,在腦中構思所有調色的步驟。

。多利用色輪,明度表,來思考如何創造更合於大自然的光,以解決人像明度過暗的情形。

February 4, 2018

. Without copying the shape, using more complex language.  Interface.

. Carry different symbol in side the painting, more than just value and color

. Convince viewer, more readable message from canvas. 

February 4, 2018

. Few soft edge of objects' original color, brush with circle and touch the object discontinuously 

. This way, can create "air" in each different stroke.

. Blended with soft brush of each halo, to fade into background. 

. It will look like strong light's reflection on ba...

Please reload

  • Facebook Basic Square
  • Twitter Basic Square
  • Google+ Basic Square

November 1, 2019

September 12, 2019

September 8, 2019

September 5, 2019

September 2, 2019

September 2, 2019

August 24, 2019

August 12, 2019

Please reload

Recent Posts
Search By Tags
Featured Posts

設計色彩形成光線

September 12, 2019

1/10
Please reload

Archive
Please reload