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February 22, 2018

。用微小的暗面,高彩度的色彩,創造前後微空間。  局部的厚塗和一級的色彩,讓光的錯覺擊中後面的鳯梨,並形成光暈。

。物件的同比例放大,使得色塊也相對變大,張力變強,放大的主因是為了 : 交界的延續,讓整個畫布空間完整的使用。

January 10, 2018

。找出筆觸和沒有筆觸的位置

。用扇形筆創造最大筆觸

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設計色彩形成光線

September 12, 2019

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