強光的另一端,可以找到色彩逸出的交界。

。一幅畫,要在光線的流動下,找出強光並不難,找出後,它的相反方向的位置,就是光源減弱的區塊,光源減弱就會有色彩的產生。 若能把產生的色彩,合理的佈置在週遭,就可以使得暗面得以聯結,形成更大的色塊, 色塊愈大,力量就愈大。

用色温來表達微空間。

。局部的光線,若光源稍強,會讓光形成了路徑,會看到陰影,還會在路徑二側形成冷暖的色温。 可以用這大自然的現象,去描述微小空間的凹凸現象,也充滿了可讀性。

微光下的色彩和光暈。

。光的感受在畫布上呈現不同。 有霧狀的edge, 色塊的輻射,冷光色彩的分離; 這三種情況,是我們日常寫生常見的情況。

Enlarging a piece of block to enhance the impact of color.

. When we have too much color on picture, we know it is hard to drive viewer's eye ball to follow our design. So, better to change a few part of design. The most easy way is too make one of color to become a major color through magnifying part of picture. We still keep the whole feeling but not whole picture of original one, it become more persuaded.

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